Hello World

Hello World

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  • Amazon.co.uk
  • Amazon.com
  • Gleebooks (Australia)
  • Raw Nerve

Books (single author, editor, contributor)

  • 2013 Technobiophilia: Nature and Cyberspace
  • 2012 In the Flesh: Twenty Writers Explore the Body
  • 2009 Handbook of Research on Social Software and Developing Community Ontologies
  • 2008 Transdisciplinary Digital Art: Sound, Vision and the New Screen
  • 2004 Hello World: Travels in Virtuality
  • 2002 Reload: Rethinking Women and Cyberculture
  • 2000 Inhuman Reflections: Rethinking the Limits of the Human
  • 1999 The Noon Quilt
  • 1998 Crossing The Border
  • 1995 Creative Writing : A Handbook for Workshop Leaders
  • 1994 Wild Women: Contemporary Short Stories by Women Celebrating Women
  • 1994 Water
  • 1992 Correspondence
  • 1990 Where No Man has Gone Before: Essays on Women and Science Fiction

Snippets from the past

  • 2012 Traces of the trAce Online Writing Centre 1995-2005 | Jacket2
  • 2005 trAces: A Commemoration of Ten Years of Artistic Innovation at trAce
  • 2005 trAce Online Writing Centre Archive
  • 2004 Sistema Purificacion
  • 2003 Spivak
  • 2002 Writing Machines by N.Katherine Hayles
  • 2002 Tools of the trade
  • 2002 Stephanie Strickland: Living in the Space between Print and Online
  • 2002 No visible means of support
  • 2002 A New Sensibility? The qualities of a new media writer
  • 2001 Interview by 3am Magazine
  • 2000 lux : notes for an electronic writing
  • 2000 Evolving Practice: writers working online with trAce
  • 2000 Correspondence @ Riding the Meridian
  • 2000 ::::::In Place of the Page::::::
  • 1999 Tremble
  • 1999 The [+]Net[+] of Desire
  • 1999 Noon Quilt
  • 1999 Interview by Full Circle
  • 1998 Sharing a common language online
  • 1998 Land: Textual MOO-based virtual landscapes
  • 1998 Imagining a stone: virtual landscapes
  • 1998 Ensemble Logic + Choragraphy
  • 1998 Creative interaction in cyberspace
  • 1997 Revolver


  • Creative 

Commons License
    This work is licensed under a Creative Commons License. Unless otherwise expressly stated, all original material of whatever nature created by Sue Thomas and included in this weblog and any related pages, including the weblog's archives, is included in this License.

trAce Online Writing Centre

Spin Randy Adams at trAce has published a very generous interview with me. trAce is now on the cusp of a new existence in the capable care of Gavin Stewart, who has joined Helen Whitehead in the trAce office at NTU.  Gavin is an excellent choice for the job - he has just the right mixture of energy and commitment to guide the next phase. I wish him every success and look forward to new and interesting collaborations. PS click the image to see trAce's famous spinning gif, designed by Simon Mills for the launch of our first website in 1996

Posted by Sue Thomas on Jun 28, 2005 at 05:57 AM in ~ Reviews | Permalink | Comments (0) | TrackBack (0)

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Tekka 2005 Volume 3 Number 1

Tekka
Hello World
is reviewed by Greg Beatty in Tekka. The full review is subscription only but a brief intro to the article is available for free:

Like the virtual realm that Sue Thomas explores in Hello World, this book is a shifting, multifaceted thing. It is entertainment, it is education, it is experiment, it is collaboration, and it is a journal. Some of these things are successful, but others are not. And so I shall follow Thomas's lead in the book and splinter this review into three sections. Each shard will address a major component of the work, beginning with those that succeed most fully, and ending, reluctantly, with those that fail.

Hello World is a memoir and travelogue, a memoir of "a life online." As such, Hello World is fascinating, almost hypnotic. Thomas travels all over the physical world, and all over the virtual world, visiting sights and sites of intrinsic and historical interest. She describes what she sees, tells us how the experience affects her, and recounts how past travelers have marked these conceptual landscapes. Thomas invokes Thoreau throughout the book, and the comparison is apt: As Thoreau's observations of the activity around Walden Pond always told us as much about him as they did about the nature he studied, so, too, Thomas's observations reveal much about herself. The intensity of her love for cyberspace is manifest in her attentiveness to the detail of each virtual experience.


The review is generally positive but at the end I am criticised for ignoring

...other fairly recent works of cyberculture, such as Marie-Laure Ryan's 2001 book Narrative as Virtual Reality, which analyzes virtual reality and reading, or theorists like William Mitchell or Stephen Graham, who discuss the implications our embrace of cyberspace has on the material world. Most directly, Thomas's work overlooks previous work from people like Ken Hillis...

and he ends by saying:

Hello World is a fascinating artifact of digerati culture, although it is not a very critical text.

Obviously it is bad form for writers to pick holes in negative comments by reviewers, but I am addressing this one because it raises a larger issue I have been thinking about for a while, and was certainly very aware of when I was writing HW.

Hello World was never intended to be a critical text. It was written as a personal account of my own views and experiences, and whilst it does reference quite a few authors and artists, those people are generally not cyber-critics, but writers on other subjects and quite often from other times - in one case as far back as Tacitus.

It was never intended to include an overview of contemporary critical thinking about cyberspace, and was never intended to be a critical book in any sense. It was meant to be particular, idiosyncratic, and subjective. In other words, I would say that it is a primary text - indeed, Greg Beatty calls it a 'lived guidebook', which feels very appropriate to me.

Of course, there are sections of the book which on reflection seem to be less rigorous than they might have been, and I am happy to accept criticism of that kind, but as to whether the book succeeds as a critical text, I can safely opine that it does not, and was never intended as such.

I do appreciate, though, his very thoughtful and interesting review.

Posted by Sue Thomas on May 15, 2005 at 05:51 PM in ~ Reviews | Permalink | Comments (1) | TrackBack (0)

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RealTime 64, Australia, December 04/January 05

Rtweb_head

Unnameable Space Review by Josephine Wilson in Australia's leading arts and screen magazine. RealTime appears in both print and online format. For Australian readers, Hello World is available from Gleebooks.

Hello World is a small book. It easily fits into my bag, so I take it with me on the train. The size of the book, I decide, meshes with the tone—personal and poetic...

Posted by Sue Thomas on Dec 02, 2004 at 08:25 AM in ~ Reviews | Permalink | Comments (0) | TrackBack (0)

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County Lit

Hello World offers an alternative angle on the travel narrative genre. Using the subjects of world travel and web travel synonymously, Thomas has created a wonderful and intriguing post-modernist text, a travel book with a twist.

Using her travel throughout Australia, the USA, Spain and England as a comparative, Thomas brings us into her world of virtual realism and web travel.

Thomas explores several interesting concepts regarding identity on the web. The first of which is the world of ‘LambdaMOO’ which is “text based virtual world” and a means of communicating with people from all over the world. Within this virtual world Thomas explains how the notions of identity, age, race and gender become obsolete, therefore transgressing cultural norms, roles and stereotypes. Thomas explores the concept of a ‘Spivak’ gender, a deliberately androgynous sense of self which is used within this virtual world. The ‘Spivak’ is neither male nor female and therefore the user is ambiguous to the rest of the world it is communicating with.

An identification which can only exist on-line, the Spivak gender deals with the idea of human meets machine and seems to have a hint of the gothic. Thomas draws on some interesting parallels between the functioning of the body and of the machine. It certainly draws attention to the question – when do we get too involved in this world? Where do we draw the line? Thomas demonstrates her need and craving for a computer when on her long-distance train journey. When do we become obsessed with our computers?

As the journey progresses we begin to see that the entire book is almost like a cathartic journey for Thomas, and she explains that for her, “virtuality offered a recognizable constant in an unstable and disorientating physical world”. Here the two themes of the book are drawn tidily together. Travelling through the web arouses similar emotions as the world traveller will experience. The concept of identity is not fixed, the ‘traveller’ is free to change their scenery, their experiences and ultimately they have more choices than those who opt only for ‘real life’.

It is refreshing to read a web-related text which is sensitive and thought-provoking. Thomas allows us to see that ‘on-line’ is a world which we can visit and travel freely through, and hopefully get as much out of it as she does.

Review by Susan Whittaker in County Lit, Issue 17, Summer 2004

Posted by Sue Thomas on Aug 31, 2004 at 01:59 PM in ~ Reviews | Permalink | Comments (0) | TrackBack (0)

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The Independent

"This is a book about a love affair. It's also a meditation on a phenomenon that has changed not just our lives but our perceptions of ourselves. It is, of course, about cyberspace. "Just as Ada Lovelace and William Babbage designed a machine that could not yet be made, so we are sensing a world that cannot yet be expressed," says Thomas. She does, however, have a damn good go in this fascinating exploration of a world where word meets, and even replaces, flesh."
Review by Christina Patterson, The Independent, Books section, 27 August 2004

Posted by Sue Thomas on Aug 27, 2004 at 08:01 AM in ~ Reviews | Permalink | Comments (0) | TrackBack (0)

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Some Other Magazine

mainnav_r1_c1"A book that refuses to acknowledge its own physical limitations."
Review
by Jason Leary in Some Other Magazine, Issue 1, August 2004

Posted by Sue Thomas on Aug 27, 2004 at 07:08 AM in ~ Reviews | Permalink | Comments (0) | TrackBack (0)

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Computerra magazine (Russian only)

ComputerraIn June 2004 I was interviewed in Moscow by Oleg Kireev for Computerra, the leading Russian print magazine for computer technology which also appears online in a limited form. I'm hoping to obtain an English translation but for the moment here is a link to the Russian text.

Posted by Sue Thomas on Aug 26, 2004 at 07:49 AM in ~ Reviews | Permalink | Comments (0) | TrackBack (0)

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The Guardian

A mention of Hello World in Blurring the Boundaries , Jim McClellan's excellent piece about trAce [The Guardian newspaper, 29.7.04]

Posted by Sue Thomas on Jul 30, 2004 at 07:05 AM in ~ Reviews | Permalink | Comments (0) | TrackBack (0)

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BBC Nottingham

Hello World!
BBC Nottingham, 24 May 2004

A Notts author has been exploring the border between the virtual and physical world. We ask Sue Thomas what she's found.

http://www.bbc.co.uk/nottingham/culture/2004/05/hello_world.shtml

Posted by Sue Thomas on May 25, 2004 at 07:11 AM in ~ Reviews | Permalink | Comments (0) | TrackBack (0)

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Alan Sondheim in Nettime

Books I like and highly recommend posted to Nettime 10 May 2004

From Raw Nerve Books
Sue Thomas, Hello World, travels in virtuality


This is an odd work, a mix of real and imaginary journeys, discoursing on psychogeography, Bachelard, and a broad-based view of the Net along the way. As a mix it's intense and entrancing, and it demonstrates the ease with which computers, electronic communications, and lives all intertwine beyond the home. This isn't the typical mobile technology journey, but a journey of integration, and it's as such that I highly recommend it. My only concern - and I have no answer for this - how much, today, should one describe the Net and its communications systems? As Katherine Hayles points out on the back cover, the book is 'Highly recommended for first- time users and those who want to try dipping their toes into the cyberwaters.' But for those of us who are familiar with the technologies, the value is elsewhere - following this journey, and Thomas's lived and interpenetrated spaces, across the world. There is an associated website by the way, http://www.travelsinvirtuality.com . (This is by the way a work I wish I could have written, but my own journeys have seemed too monstrous and tangled, too compressed. There's a sense of space in Thomas's book that's both open and comforting.)

by Alan Sondheim


This review is reprinted from http://www.nettime.org/
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Posted by Sue Thomas on May 11, 2004 at 09:07 AM in ~ Reviews | Permalink | Comments (0) | TrackBack (0)

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Technobiophilia: Nature and Cyberspace

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  • 00 About the web view (1)
  • 00 Acknowledgements (2)
  • 00 Cover (1)
  • 00 Foreword (4)
  • 01 Imagining (5)
  • 02 Hello World (3)
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